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Henriette Tirman
Jeanne-Henriette Tirman (born 1875 in Charleville-Mézieres (Ardenne); died 30 October 1952 in Sèvres (Hauts-de-Seine)) was a French woman painter and printmaker.
== Biography ==
Henriette Tirman was a Post-Impressionist painter, printmaker and illustrator with an association with figures of the Bloomsbury Group.
She was the daughter of doctor Charles-Louis-Henry Tirman and Berte Hanonet de La Grange〔(Henriette TIRMAN, geneanet.org )〕 and also the niece of Senator Louis Tirman (1837-1899). She lived in the family of her brother, Councillor of State Alexandre-Louis-Albert Tirman (1868-1939) in Paris, 22 rue de l'Yvette.〔(Annuaire des grands cercles (Paris); BnF )〕〔(Annuaire de la curiosité et des beaux-arts : Paris, départements, étranger 1911-1924 ), BnF〕
Her art was influenced by Cézanne. She painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes. While Matisse represented the reflective and rationalized aspects in the group, Tirman embodied a more spontaneous and instinctive style.
The painter exhibited at the Salon de Champs-Élysées starting in 1897.〔(Salon de Champs-Élysées 1897, BnF )〕〔(Salon de Champs-Élysées 1897, It is corrected; BnF )〕
In 1900 she had participated at the Exposition Universelle of Paris.〔(Catalogue officiel illustré de l'exposition décennale des beaux-arts / Exposition universelle de 1900, p.263, №1833-1836 )〕
Since 1906 to 1951〔(d'Automne, Listing of artists/Jeanne-Henriette TIRMAN ); (Comoedia (Paris. 1907), 1910/10/03 (A4,N1099), p.2, ''Comoedia au Salon d'Automne'' ); Gallica BnF〕 she exhibited her paintings at the Salon d'Automne〔(Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif, Société du Salon d'automne 1906, p.162, №1672; archive.org )〕 and at the Salon Société Nationale des Beaux-Arts〔( Société nationale des beaux-arts (France), Catalogue illustré du salon de 1906, №1154; archive.org )〕
Since 1907 exhibited at the Salon des Indépendants〔(Société des artistes indépendants/ Catalogue de la 23me exposition, 1907. p.304 (p.306). Metropolitan Museum of Art (New York, N.Y.) ); (1910, no.4959-4964; Bnf )〕 where her paintings were put together with those of Henri Matisse, René Schützenberger, Maurice de Vlaminck, Robert Delaunay, Othon Friesz, Wassily Kandinsky, Paul Signac, Georges Braque, Raoul Dufy, Henri Manguin, Georges Braque, Louis Valtat, Charles Camoin, Albert Marquet, Felix Vallotton and other artists.
In 1915 she participated at the Exhibition of ''French and Belgian Art'' Panama–Pacific International Exposition.〔(Toledo Museum of Art, Catalogue an exhibition of French and Belgian art from the Panama-Pacific International exposition, November 1916. p.17 archive.org )〕 In 1919 she was working on illustrations of La Gebre periodical in Woodcut technique together with Paul Signac,〔(La Gerbe; 1921/04 (A3,N31) ) BnF〕 Henri Ottmann and other painters.〔(La Gerbe; 1919-1921 ); BnF〕 In 1920, Tirman exhibited at the Gallery Marcel Bernheim together with Henri Manguin, Henri Ottmann and others.〔(Le Petit Parisien, 1920/03/01 (Numéro 15708), p.2, ''Salons at Expositions'' ); (Gazette des beaux-arts (Paris), 1920/03/15 (N5), p.36 ); Gallica BnF〕
Since 1920s Henriette Tirman exhibited at the annual Salon des Tuileries〔(Mercure de France : série moderne / directeur Alfred Vallette, 1934; BnF )〕〔(Les Nouvelles littéraires, artistiques et scientifiques : hebdomadaire d'information, de critique et de bibliographie; BnF )〕 in Paris.
In 1933 she took part in ''Salon de Echanges''. At the same time, in accompany with her friend Sonia Lewitska (1880-1937),〔(''Journal officiel de la République française'', 1938/12/02 (A70,N282), p.13580, ''Les Amis De Sonia Lewitska''(Paris, 22 rue de l'Yvette) ); (Inventaire du fonds français après 1800 / Bibliothèque nationale, Département des estampes. p.298, ''Sonia Lewitska''; birth date 1880 ); (''Journal des débats politiques et littéraires'', 1937/09/24 (Numéro 264), p,2, death date Sonia Lewitska - 1937/09/20 ); Gallica BnF〕 she helps André Fau and Francis Thieck in room decoration suggesting services of painters from her closest circle: Raoul Dufy, André Lhote, André Hellé (1871-1945) and Jean Marchand. Thereby she supported her friends in tough times of economic crisis in the country.〔(Comoedia (Paris. 1907), 1933/12/21 (A27,N7621), p.1, ''Le Salon de Echanges..'' ); Gallica BnF〕
Also as Othon Friesz〔(Exposition du Premier Groupe des Artistes De Ce Temps, Petit Palais, 1934 (Paris) )〕 she was part of group of artists called "Artistes de ce Temps” and exhibited at the Petit Palais in 1934.〔(L'Art et les artistes (Paris) ); (La Croix, 1935 (Paris) ); Gallica BnF〕
After decease of her brother in 1939 she moves to Sevres (Seine-et-Oise), to madam Berthe-Marie Cazin〔Salon d'Automne, catalog with the exhibited works by the artist; 1941, p. 122〕 wife of ceramist Jean-Michel Cazin and lives in her house at 30 avenue de Bellevue.〔Christie's, Arts Décoratifs du XXe siècle et Design, 21 November 2012, sale 3516; lot 20; Michel Cazin (1869-1917) VASE AUX FLEURS, 1900 '..étiquette manuscrite Michel Cazin/30 Av. de Bellevue/Sèvres..'〕
She was rewarded with the rank of Officier d'Academie.
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